(美国 United States)racheltonthat.comRachel TonThat是一位跨学科艺术家和作家,她的创作围绕于可能的未来、记忆和时空等主题进行叙事结构。她是艺术书籍组合Oreades Press的成员,并在2021年至2022年期间担任苏黎世艺术空间Egg 的策展人。2022年,她被Diasporic Vietnamese Artist Network选为首届She Who Has No Master(s)项目的写作导师,她关注气候的故目《无常地球》获得了苏黎世艺术大学国际项目基金的资助,她也在该校完成了美术硕士学位。她拥有纽约帕森斯学院和尤金·朗学院的双学位,并曾是参与越南 Wassaic Project、live.make.share和A.Farm以及由苏黎世市赞助的What’s Next工作室的驻地项目。她的作品发表在《The Amp》、《Diacritics》、《Sine Theta》 等杂志上。她是苏黎世艺术馆的艺术评论刊物《Reading Rämistrasse》的定期撰稿人。她生活在苏黎世和马萨诸塞州塞勒姆之间。Rachel TonThat is a multidisciplinary artist and writer working with narrative structures around themes of possible futures, memory, and space-time. She is part of the art book duo, Oreades Press, and was a curator of the Zurich offspace, Egg, from 2021-2022. In 2022, she was selected for the inaugural She Who Has No Master(s) writing mentorship through the Diasporic Vietnamese Artist Network, and her climate storytelling project, Impermanent Earth, received funding from the International Project Fund of Zurich University of the Arts, where she completed a MA Fine Art. She holds degrees from Parsons and Eugene Lang College in New York and has been a resident at Wassaic Project, live.make.share and A.Farm in Vietnam, and the What’s Next studio residency program sponsored by the city of Zurich. Her writing has been published in The Amp, Diacritics, Sine Theta Magazine, and more. She is a regular contributor to Reading Rämistrasse, the art criticism publication of Kunsthalle Zurich. She lives between Zurich and Salem, Massachusetts. 过往作品 Previous Works 无题 Untitled #1墨水丝绸 ink on silk350 x 120cm2023
一条穿过门的路 A Way Through Doors捡到的木头,陶瓷雕塑,丝绸,室内灯光装置和花园found wood, ceramic sculptures, silk, and light installation in house and gardens2023在奔马的标记下 Under the Sign of the Traveling Horse纸上墨和家俱装置 Ink on paper and furniture installation2022海吉恩 Unhewn纸,捡到的布料,绘画框装置Paper, found textile, and painted canvas installation2022