Katarzyna Osipowicz

ACENTRICSPACE第136位驻地艺术家

2024年十至十二月驻地艺术家

Katarzyna Osipowicz

No. 136 ACENTRICSPACE Resident Artist

October to December Resident Artist, 2024

Katarzyna Osipowicz

关于艺术家 About the Artist

（波兰 Poland）

www.flickr.com/photos/154677453@N08

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Katarzyna Osipowicz（生于 1979 年）是一位自学成才的波兰艺术家和平面设计师。Osipowicz以超现实主义照片蒙太奇领域的作品而被熟知，她用普通建筑和环境的照片构建梦幻般的城市和超凡脱俗的风景。她的拼贴作品大多描绘空旷的空间，没有人，给人一种令人难以忘怀的安静和孤独感，让观众穿越空灵、荒凉的风景。

她的作品模糊了现实与想象之间的界限，邀请观众进入地下世界，在那里空间既熟悉又陌生。在《DEMONTAGE》中，她探索了穿越这两种现实的旅程的概念，提供了与空虚相呼应并唤起梦幻场景的空间。Osipowicz将摄影与拼贴技术相结合，利用她在纽约、罗马、维也纳、华沙和柏林等城市旅行时拍摄的图像。最终，她创作的一系列作品反映了这些城市环境的多样化建筑风格和氛围，通过拼贴画将其转变为违背逻辑和理性的空间。

她的拼贴画采用传统和数字方法创作。她作品的手工制作部分通常包含旧报纸等材料，而数字部分则涉及她自己的照片，这些照片是在计算机上处理和创作的。

Osipowicz的作品是对空间、建筑和记忆的视觉探索，创造出既熟悉又遥远的环境，呼应了梦境的超现实本质。

Katarzyna Osipowicz (b. 1979) is a self-taught Polish artist and graphic designer. Known for her work in the realm of surrealist photomontage, Osipowicz constructs dreamlike cities and otherworldly landscapes from photographs of ordinary buildings and environments. Her collages depict mostly empty spaces, with no people, that echo with a haunting sense of quiet and isolation, offering viewers a journey through ethereal, often desolate landscapes.

Her work blurs the lines between reality and imagination, inviting viewers into underground realms where space feels both familiar and alien. In DEMONTAGE, she explores the concept of a journey through these dual realities, offering spaces that echo with emptiness and evoke dreamlike scenarios. Osipowicz combines photography with collage techniques, utilizing images captured during her travels to cities like New York, Rome, Vienna, Warsaw, and Berlin. The result is a body of work that reflects the diverse architectural styles and atmospheres of these urban environments, transformed through her collages into spaces that defy logic and rationality.

Her collages are created using both traditional and digital methods. The hand-made portion of her pieces often incorporates materials such as old newspapers, while the digital aspects involve her own photographs, manipulated and composed on the computer.

Osipowicz’s work serves as a visual exploration of space, architecture, and memory, creating environments that seem at once familiar yet distant, echoing the surreal nature of dreams.

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