Kim Youna

ACENTRICSPACE第127位驻地艺术家

2024年八月驻地艺术家

Kim Youna

No. 127 ACENTRICSPACE Resident Artist

August Resident Artist, 2024

Kim Youna

关于艺术家 About the Artist

（韩国 South Korea）

www.younakim.net

Instagram: @kimyouna_art

情感的浮力

在时间的流动中，我意识到了能够与世界建立关系的一个根本原因。那就是个人的集合就是社会，我是‘我’，你是‘你’。

正是在那一刻，我意识到了自己自然而然地忽视了头脑和心灵这一根本事实，而长时间的工作也因此而改变。我意识到了为什么关系所赋予的各种情感是不可避免的。

我认为人与人之间有一个看不见的气囊。它就像空气一样，随时都有可能破裂，也有可能不破裂。我想用视觉来测量和记录人类关系的物理距离。

这系列作品可能是一幅正在与世界建立关系的人的肖像，一幅变化的自画像，也可能是某个人。

Buoyancy of Emotion

What I realized in the flow of time was an essential reason to be able to make a relationship with the world. It was that the collective collective of individuals was society, and I was ‘I’ and you were ‘you’.

It was the moment when I recognized the fundamental fact that I had naturally neglected my head and my heart, and the long time work was changed. I realized why the various emotions given by relationships are inevitable.

I think there is an invisible airbag between man and man. It is literally like air, and it may or may not be broken at any time. I wanted to visually measure and record the physical distance of human relationships.

This work may be a portrait of someone who is becoming a relationship with the world, a self-portrait that changes, or someone.

最终可以说，人与人之间最核心的问题，归结为人与人之间心理、精神、物理距离的问题。这种距离的维持、建立、阻隔、断开等，最终创造出人类生活的各种内容，描述情感。艺术家想通过摄影这种媒介来表达这种‘人与人之间的距离’。距离、空间、氛围、无法具体描述或提及的感觉，因为它是永远看不到的不可见空间，因此遗憾地徘徊在无法表达的境界，即试图将似乎具有明确实体但又极其模糊、无法衡量的东西形象化的艰难尝试，都托付给了摄影这种明确的表现工具。

—《人与人之间的距离》

Park Young-taek（京畿大学艺术评论家、教授）

摘自评论

In the end, it can be said that the core problem between humans is reduced to the problem of psychological, mental, and physical distance between people. The maintenance and establishment of this distance, blocking, disconnection, etc., ultimately create the various contents of human life and describe emotions. The artist wants to express this ‘distance between people’ through the medium of photography. The distance, the space, the atmosphere, the feeling that cannot be described or mentioned specifically because it is an invisible space that can never be seen, and thus regrettably hovers in the realm of the impossibility of expression, that is, the difficult attempt to visualize something that seems to have a clear entity but is extremely ambiguous and cannot be measured, is entrusted to the clear tool of representation called photography.

– Distance between people

Park Young-taek (Professor, Art Critic, Kyunggi University)

Excerpt from a critique

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