罗锐 RAY LC
ACENTRICSPACE第110位驻地艺术家
2023年12月驻地艺术家
罗锐
No. 110 ACENTRICSPACE Resident Artist
December Resident Artist, 2023
RAY LC
关于艺术家 About the Artist
鼓励关注到气候变化，积极的做法通常涉及关于政策和资源以及谁应该分担多数负担的辩论。从心理学上来说，它们涉及消极的强化形式，告诉人们不该做什么，而不是可以做什么 这会导致危机疲劳、从无知中的安慰以及对个人行动缺乏信心。研究表明，激活偏好行为的积极教育方法比惩罚更有效。我们不是不断要求人们克制的消极形式的争论，而是通过设计艺术创作参与性表演来使用积极的强化形式，让公众在面临气候变化困境的假设场景中做出创造性的选择。我们利用海平面上升、能源短缺、废物堆积和野生动物多样性问题的场景，在特定地点的干预中创造了长途旅行，将该地点视为一个免受外界影响的岛屿，作为设计虚构的起点，要求参与者设计 建筑结构、机械仪器、地理边界和展览文物，以克服虚构环境中的挑战。
Encouraging climate positive practices often involves debates about policies and resources, and who should share the majority burden. Psychologically speaking, they involve negative forms of reinforcement that tell people what not to do as opposed to what they can do. This leads to crisis fatigue, comfort in ignorance, and lack of belief in individual action. Studies show that positive forms of educational methods that activate preferred actions are more efficacious than punishments. Instead of negative forms of arguments constantly asking people for restraint, we use a positive form of reinforcement by designing art-making participatory performance that lets the public make creative choices in a hypothetical scenario where they face a climate change dilemma. We created long excursions using scenarios of rising sea-levels, energy deficits, waste accumulation, and wildlife diversity problems in a site-specific intervention that treats the location as an island shielded from outside influence as starting points of design fictions that ask participants to design architectural structures, mechanical instruments, geographical boundaries, and exhibition artifacts to overcome challenges in the fictional settings.
