Roman Redzzz

ACENTRICSPACE第121位驻地艺术家

2024年六月驻地艺术家

Roman Redzzz

No. 121 ACENTRICSPACE Resident Artist

June Resident Artist, 2024

Roman Redzzz

关于艺术家 About the Artist

（俄罗斯 Russia）

Instagram @redzzz_roman

我的艺术实践基于前卫和抽象表现主义中固有的情感感知理念。

我不是在用比喻的语言在进行对话，而是在努力营造某种氛围。在这个世界里，无意识的感知比我们的分析能力更重要。

我使用解构的书法、字体、街头风格元素和古典绘画作为媒介。

手势的能量对我来说至关重要。

不同的媒介本身决定了不同的方法，有时我会利用提供的机会，但有时我必须做出选择。街头涂鸦艺术首先是一个对话的机会，尺寸也起着重要作用。我要强调的是，你是在现场工作，你已经是这个过程的参与者了，忽视这一点是没有意义的，你是这个作品的一部分，不管你是否愿意。架上绘画就不同了，在这里你独自一人，有更多的想法。尺寸是一种重要的心理感受，它甚至与工作本身的大小无关，而是与大类别的思考方式有关。

我目前的研究与现代大都市中个人性格的自我决定有关，身份和与环境的密不可分的联系是关键主题，其根源来自我们世界的历史。

事实上，这里的主角是环境。

通过它，我向观众询问关于自我认同的问题，其余的都留在背景中，叙事基于反思、比较和隐喻对称的语言，这就是我选择上海进行研究的原因，这里的多元文化主义和历史与技术的关系非常明显。

我的作品是一种倾听和释放自己内心力量并捕捉当下能量的方式。

我努力使用尽可能多的自由式元素和直觉来传达我的情感。

在我的作品中，我选择了能够尽可能多地传达动作的工具，而意义就在于其独特性。

我坚信，我们只是内在能量的反映，在学会意识到这一点之后，我们发现自己身处一个语言和文化不再是对话界限的世界。

My practice is based on the ideas of emotional perception inherent in avant-garde and abstract expressionism.

I am not conducting a dialogue in figurative language, but I am working to create a certain atmosphere. A world where unconscious perception is more important than our analytical abilities.

I use deconstructed calligraphy, lettering, street-style elements, and classical painting as mediums.

The energy of the gesture is crucial for me.

Different mediums dictate different approaches themselves, sometimes I just use the opportunities provided, but sometimes, I have to choose. Street art is an opportunity for dialogue in the first place, size also plays an important role. Again, you are working live, you are already a participant in the process, and there is no point in ignoring this, you are part of this work, whether you want it or not. With canvases, it’s different, here you’re alone with yourself, with more thoughts of some kind. Size is an important psychological feeling, it’s not even about the size of the job itself, but about the way to think in large categories.

My current research is related to the self-determination of a person’s personality in a modern megalopolis, where identity and inextricable connection with the environment are key themes whose roots grow from the history of our world.

And in fact, the main character here is the environment.

Through it, I ask the viewer questions about self-identification, leaving the rest only in the background, and the narrative is based on the language of reflections, comparisons, and metaphorical symmetry, which is why I chose Shanghai for my research, where multiculturalism and the relationship between history and technology are so pronounced.

My work is a way to hear and get inner strength out of myself and capture the moment’s energy.

I strive to use as many freestyle elements and intuition as possible to convey my emotions.

In my work, I choose tools that can convey movements as much as possible, a moment in the uniqueness of which lies the meaning.

I am convinced that we are only a reflection of the energy inside, and having learned to realize it, we find ourselves in a world where language and culture cease to be a boundary for dialogue.

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